In his novel The Serpent’s Whisper (Szept węża), Robert M. Rynkowski offers a literary reinterpretation of the Emmaus story (Luke 24:13–35) by exploring the idea that the unnamed second disciple walking alongside Cleopas was Philip the Deacon, known from the Acts of the Apostles.
This bold narrative thread is inspired by a hypothesis put forth by French author Emmanuel Carrère in his book The Kingdom (Le Royaume). Carrère speculates that since Luke and Paul stayed in the house of Philip the Deacon in Caesarea Maritima, as mentioned in Acts, Luke may have lived there during Paul’s imprisonment. During that time, Luke could have heard Philip’s personal account of meeting the risen Christ on the road to Emmaus, which Luke later wove into his Gospel—making it the most detailed version of that episode in all four Gospels.
Carrère’s theory not only supports the identification of Philip the Deacon as the second Emmaus disciple, but also suggests that Luke himself authored both the Gospel of Luke and the Acts of the Apostles, and that these texts may have been written as early as the 60s of the first century, while Paul was imprisoned.
The novel’s interpretation also literarily echoes Rynkowski’s theological interpretation of the Emmaus story, presented in his book Everyone Is a Theologian (Każdy jest teologiem). There, Rynkowski argues that the disciples’ journey should not be seen as a cowardly escape from Jerusalem, but rather as a theological quest, a walk filled with questioning and openness to divine encounter.
Apocryphal “Acts of Philip”
The idea of “Philip’s Acts” mentioned in The Serpent’s Whisper refers to an existing apocryphal work, not included in the biblical canon. Interestingly, this non-canonical text merges two historical Philips—the Apostle Philip and Philip the Deacon—into a single character. Although attributed to Luke by some, it was not written by the evangelist, despite speculation that he may have planned a third volume following the Gospel and Acts.
Conclusion
By merging biblical exegesis, early Christian tradition, and literary imagination, Robert M. Rynkowski not only revitalizes the Emmaus narrative but also builds a bridge between academic theology and fiction. His reinterpretation invites both scholars and general readers to explore how sacred stories can be retold, reinterpreted, and reimagined across genres—from theological essays to novels.






